Dagmara Bielecka
Graduated from the Tadeusz Kantor Secondary School of Applied Arts with the specialization artistic glass, Dąbrowa Górnicza, Poland, 1994. Graduated from the Ceramics and Glass Faculty at the Eugeniusz Geppert Academy of Art and Design, Poland, 2000. Employed there since 2000, first in the Gas-burners Studio, then in the Studio of Preliminary Glass Design. In 2013 she received a doctorate degree.
In 2003–2005 she collaborated with Ad Spectatores as a stage designer.
She has participated in 2 solo exhibitions in Poland and in 49 group exhibitions in Poland, Germany, Denmark, and Slovakia, including: the European Glass Context 2008, Bornholm, Denmark; Glass-a-porter, the Danish Museum of Art & Design, Copenhagen, Denmark, 2008; Glass-a-porter, Roskilde Kunstforening, Roskilde, Denmark, 2009; Light and Matter, the Karkonosze Museum in Jelenia Góra, Poland, 2012; Three Dimensions, the Centre of Contemporary Sculpture in Orońsk, Poland, 2013.
Her works are in several private and public collections, including the Karkonosze Museum in Jelenia Góra, and Ernsting Stiftung, Glasmuseum Alter Hof Herdig, Coesfeld, Germany.
She is a researcher and an enthusiast of old glass decorative techniques. She has found her interests mostly in lampworking and the development of her artistic personality follows this method of glass shaping. She is inspired by recognizable forms and motifs, which embody subtly legible visual communication. She uses them in her unique glass objects and glassware to create metaphors, references and meanings.
In 2003–2005 she collaborated with Ad Spectatores as a stage designer.
She has participated in 2 solo exhibitions in Poland and in 49 group exhibitions in Poland, Germany, Denmark, and Slovakia, including: the European Glass Context 2008, Bornholm, Denmark; Glass-a-porter, the Danish Museum of Art & Design, Copenhagen, Denmark, 2008; Glass-a-porter, Roskilde Kunstforening, Roskilde, Denmark, 2009; Light and Matter, the Karkonosze Museum in Jelenia Góra, Poland, 2012; Three Dimensions, the Centre of Contemporary Sculpture in Orońsk, Poland, 2013.
Her works are in several private and public collections, including the Karkonosze Museum in Jelenia Góra, and Ernsting Stiftung, Glasmuseum Alter Hof Herdig, Coesfeld, Germany.
She is a researcher and an enthusiast of old glass decorative techniques. She has found her interests mostly in lampworking and the development of her artistic personality follows this method of glass shaping. She is inspired by recognizable forms and motifs, which embody subtly legible visual communication. She uses them in her unique glass objects and glassware to create metaphors, references and meanings.
